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狗狗離開五年後,我用 AI 完成了我們來不及一起做的事

狗狗離開五年後,我用 AI 完成了我們來不及一起做的事

當我使用 AI 創作、分享作品時,
常常會想:平行時空裡的我,現在正在做些什麼?
又或者,有哪些遺憾,是我一直沒能完成的?從學生時期就開始養哈比。
他陪我經歷各種情緒,
陪著我長大,也陪我一次次搬家。他離開的時候,已經 11 歲了。
自己發現還沒好好帶他去兜風,
到處看看。人的世界裡,有家人、有朋友,
但狗狗的世界裡,可能只有你。It’s been five years since you left.

Now, I’m taking you with me—
in my heart—to see all the places we never got to visit.
I miss you… I really do.

畫面交給 GPT,
讓由 Grok 變成一段影片。

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Video Made by Grok

My Lovely Dog

Grok Prompts

Create a seamless 8-second looping animation from this illustration. Preserve the exact hand-drawn children’s picture-book style, warm pastel colors, gray car, side-view mirror composition, and the dog’s identity throughout the entire video.

The gray car is driving steadily forward. Add gentle rhythmic suspension movement: the car, mirror, dog, and window frame softly bob up and down together with tiny natural side-to-side vibrations. The movement should feel comfortable and playful, never shaky or chaotic. Keep the camera composition fixed with no zoom, pan, rotation, or scene cut.

Important parallax direction:
The scenery visible OUTSIDE the side-view mirror must continuously move horizontally from right to left.
The road, trees, and scenery reflected INSIDE the side-view mirror must move horizontally in the exact opposite direction, from left to right.
The two scenery layers must remain clearly separated by the mirror frame and must never move in the same direction. Use soft hand-painted motion blur to communicate that the car is moving forward.

The dog is happily enjoying the breeze. Its cheek fur, neck ruff, chest fur, forehead fur, and ear-tip fur continuously flutter backward in gentle flowing waves. Use overlapping secondary motion: small strands move at slightly different speeds, then softly settle and lift again. Keep the dog’s head and body stable enough to preserve its anatomy and identity.

The dog has warm amber-brown eyes, a black nose, upright triangular ears, a narrow white stripe in the center of its forehead, symmetrical white eyebrow markings, a white muzzle and cheeks, and the same charcoal-gray facial mask and coat markings as the source image. Never change these features.

Expression sequence:
At the beginning, the dog looks peaceful and delighted with its muzzle raised into the wind.
Around 2 seconds, it slowly squints both eyes with pleasure, then gently opens them again.
Around 4 seconds, it opens its mouth naturally and lets its pink tongue come out, with the tongue and lips softly fluttering in the breeze.
Around 6 seconds, the tongue gradually retracts, the mouth returns to the original small contented smile, and the eyes return to their starting expression.
The final frame must match the first frame exactly so the animation loops seamlessly.

Maintain a cute, innocent, cozy, whimsical children’s storybook feeling. Use soft colored-pencil and gouache textures with rounded shapes and subtle frame-to-frame hand-drawn liveliness.

One dog only. No people, no additional objects, no text, no logos, and no watermark. Do not change the gray car to blue. Do not use blue eyes. Do not alter the dog’s markings, breed, proportions, paws, or face. No duplicated limbs, distorted anatomy, melting fur, warped mirror geometry, flickering background, sudden expression changes, camera cuts, zooming, or photorealistic rendering.



Grok 的生成效果,
確實讓我印象很好。它的速度很快。當腦中突然出現一個想記錄的畫面時,
只要把圖片放進去,很快就能看到它動起來。
但我喜歡的不只是速度。像這段影片裡,
後照鏡中的景物,會配合車外風景一起移動。
空間關係與動態邏輯都蠻自然,
很接近真實開車時會看到的狀態。
這些小細節,也讓整段影片更有臨場感。

對我來說,AI 創作不只是生成圖片或影片。
有時候,它更像是一種承接思念的方式。
讓那些來不及發生的故事,
可以在另一個時空裡繼續下去。

Grok 的使用方式蠻像在記錄 

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Lee Chih Min

Life with Interaction  --  Digital Creator. Design, Art, Game, Life and Interaction.

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